ARTISTS
JIRO
In Holy Visions, JIRO unites his two homelands, his philosophy, and his spirituality in a single creative breath. Through the concept of perfumed art, he seeks to move beyond the gaze, to transcend simple contemplation. For him, art, when paired with fragrance, becomes a total experience: visual, olfactory, and spiritual emotions meet, merge, and reveal the inner colour of the world.
This collection is a journey through the souls and faces of the sacred.
It draws its roots from the Church of Saint Hripsimé in Armenia, a witness to ancestral faith, but it is also anchored in the presence of contemporary saints — the everyday women whose eyes and faces seem to carry the light of day.
In their eyes, JIRO perceives a reflection of the divine, an inner clarity that guides his creative and spiritual path — that of a man suspended between East and West, between memory and modernity.
The inspirations and emotions of these two identities intertwine in his works, weaving an unbreakable unity, a silent prayer in which every colour becomes breath, and every fragrance becomes soul.
Laurence IMBERT D.
Personnage atypique, à la fois fragile et forte, poétique et pragmatique, expressive et intensément dévouée, Laurence Imbert.D incarne une symphonie de contrastes, une silhouette délicate animée d’une force intérieure vibrante.
Aujourd’hui, les toiles parfumées deviennent des scènes de danse contemporaine. Le mouvement s’y lie aux mots, qui se métamorphosent en fragrances graphiques. Le rêve prend une forme, le parfum devient une géométrie vivante, porteur d’un message poétique tissé dans la trame des paroles.
Quelque chose de magique naît, et cet élan magique — fragile, lumineux, inclassable — vibre dans le pinceau de Laurence Imbert. D
Son œuvre donne forme au rêve, l’ancre dans la beauté et dans une positivité qui élève.
Laurence Imbert a l’art de faire danser les parfums.
Edmond Jurczek
Edmond Jurczek is a self-taught artist; he studied theoretical physics. In 2012, he had success with a solo exhibition at ERNI in Lucerne, and in 2015 with a Solo Exhibition at Hermann Alexander BEYELER in Basel.
Hermann Alexander Beyeler publicly wrote about him: "His pictorial artwork is imbued with an evolving language, marked by global thinking." The paintings of Dr. Edmond Jurczek create a resonance through a kind of unconscious and deep psychological contact with the viewer.
He primarily works with oil, acrylic, tempera, and gum arabic, applied with a brush, pen, spatula, or the tips of his fingers.
Edmond Jurczek is the inventor of Calliobainie, a dynamic painting technique that involves swinging on–and painting from–the hips.
Michel Canetti a profondément influencé la génération 1980-2000, à une époque où l'élégance des maisons françaises commençait à imprégner la mode contemporaine. Son style unique, combinant des éléments féeriques, modernes et contemporains. Grâce à cette collaboration, j'ai pu réaliser mon rêve d'intégrer les créations de Michel Canetti dans une expérience artistique unique, où les illustrations prenaient vie à travers du parfum de la personne qui choisit l’œuvre de son cœur, offrant au public une immersion sensorielle totale dans l'univers enchanteur de la mode et de l'art.
Renata’s style emphasizes the play of light and shadow. The choice of color—shades gives an abstract or even melancholic tone.In art, the human body, and particularly the well-muscled male form, has often been a symbol of strength and heroism. This is deeply rooted in classical art traditions where the idealized male form represented both physical and moral virtues. The term “hero’s body” may refer to this cultural and artistic convention where the body is idealized or stylized to evoke the idea of a hero, someone who embodies strength, courage, and nobility.
The journey of an artist, designer, graphic designer for over 20 years.
With a higher education in visual and artistic communication,
color research, materials, composition, shots….an artist life…
Using plastic language to enrich the message and bring meaning to the content has always been my way of responding to a request, of working.
Nathalie Monnier
Jérôme TORET
Jérôme has continuously explored, mixed, and enriched both his palette and his work, never confining himself to a specific medium. From drawing to video art, he has been on a continuous quest to become a complete artist.
His artistic proposals were welcomed and awarded at various salons and exhibitions. His many travels provided him with extensive experience as a scenographer and curator.
His fascination with the concept of time, present from his early works, became the central foundation of his artistic practice.
Over time, Jérôme's ideas have become more distilled, with his drawings and sculptures evolving into increasingly minimalistic geometries — sometimes barely sketched — that engage in a dialogue with space and light.
His style is defined as contemporary poetic surrealism.
As the inventor of a spontaneous creation method called cinematicopoetic realism, he also incorporates the concept of perfumed art, which adds an olfactory dimension to his paintings poems.
"In my work, the flatness of the drawing becomes a window into the unconscious and the mystical. Material, technique, and image serve as tools of the artist’s spiritual optics, through which I explore the nature of phenomena both within and outside myself. By animating and analyzing the objective world in my work, I identify with it, viewing it as a source of poetic inspiration and revealing the control of the mind or aesthetic considerations."
Son parcours, empreint d’autodidaxie, est une ode à la liberté créative, un hymne à l’art pur, dégagé de toute entrave, ouvrant des horizons infinis à qui sait regarder.
Le Linéisme qui marque l’apogée de son voyage artistique.
Cette technique, où la couleur danse avec la lumière, délimitée par des lignes qui sculptent l’espace, révèle sa vision unique du monde. Dans ce ballet de lignes et de contrastes, Alberto se fait le maître de la lumière, enjolivant des œuvres où chaque détail est une invitation au voyage intérieur.
Capturing the essence of the "Serenissime" and the Brave of Venice as an exploration through CMYK and RGB colours, pastel on canvas and perfume.The enigmatic allure of Venice, known as "Serenissime", invites artists to unravel its mysteries and celebrate its brave spirit. This project embarks on a journey to evoke the essence of Venice through the materiality of CMYK and RGB colours, pastel on canvas and the evocative medium of perfume. By interviewing these elements, the project seeks to delve into the depths of Venice's quiet beauty and resilient courage.
Today as in the past, abstraction in painting is modernized through the ability to accept and formulate its transcendence.
His mimesis incorporates license that finds a reason to exist through abstraction and that moulds the sensible perception of the world by feelings, emotions and states of being into perfumed art trials.
Originating of Châtillon (Valle d'Aosta), Maestro Ferrucio GARD began exhibiting his artworks in 1969, in Aosta and spreading over the world becoming an internationally referenced artist.
Geneva based architect & artist Victoria Lubinska-Felix well known for creative mediation between art and industry. Victoria’s fascination with drawing focuses on the creation and manipulation of the drawn line, sculptured form and experiments of mixing non-artistic tools from engineering industry. Being a daughter of space-engineer, Victoria always felt a special passion for Space and time researches. Time, which humans never have enough for new Space openings and unknown territories. She use this passion in current art-project and feel full freedom to provide vision she have.
Vik SCHROEDER
The drawing was her favourite occupation, after finishing school her relatives did not want her to become a professional artist and insisted on getting a more serious profession. The painting became her serious hobby, nevertheless not a profession.
Vik received a philological and economic education; a scientific degree of Education Science. She took part in many international scientific conferences, and at the peak of her career she decided to leave her teaching activities and devote herself to painting.
Rosanna BASILIO
I am Venetian by birth, my master painters are Desertori, Bergamini, Dinon, arch. Davanzo.
I continue the Venetian colouristic tradition, taken beyond the post-impressionistic and informal experiences in own made prints, metal, glass masterpieces. Theories of art assimilated, relived and recomposed in a practice that is typical of Venetian art.
Natalia GERASIMOVA
I live and work in Venice, since my childhood the classical dance has been one source of inspiration in parallel with my professional life.
Venice has awakened another of my talent through painting I am trying to express the colour which the photography is not able to capture in the natural eye vision.
My main inspiration is still painting.
Well, not only in the traditional sense of "oil on canvas", a painting can be an object, a dance, a photography, a video, or a social media post.
I think that everything has already been done in painting over the past couple of thousand years, and I'm still trying to find something new…
The summer story continue
https://artspaces.kunstmatrix.com/en/exhibition/10500484/shadows-of-realism
Erik STRAUSS
I am definitely inspired by early 19'art movements such as Dadaism and Non-conformist. I express my deepest feelings through trip-hop/cinematic music compositions.
The Art should lose its acquired elitist and exclusive status, step out from museums and live inside the houses of the common people.
Paolo COLOMBINI
Author, who has exhibited all over the world transforming stones, with clean cuts and colour, into a stone "flower".
Maestro Paolo Colombini has created the "Flower of the River" and decided to donate it to The Foundation of Prince Albert II.
Maestro's unique perfumed sculpture is presented in Perfume Art Creation Venezia and the "River Flower" fixing Paolo's presence in Perfume Art Creation Zollikerberg.